Few things irk me – like hardcore irk – more than people spouting the rules of writing like they were scripture. However, my opinion on that is not this post, and will probably be at least one, if not many, others.
However, I realized last night that I do think there’s one rule of writing that is absolute. Or as close to it as a non-absolutist can believe (did I even use that right? Prolly not. Oh well. ^_^). This is something I learned early on from two of the critique groups I belonged to.
The short version of this rule, understanding that it doesn’t stand on it’s own without expoundment (am I making up words this morning or is my brain just that far gone into SQL-land?):
If you have to explain to the reader what your story meant, outside of your story, you didn’t do your job as a writer.
And now, I will expound. (Seriously, I’m starting to question my vocabulary. I should have gotten the coffee instead of the diet coke).
I understand that some stories are meant to be interpreted. I think that’s fantastic. I love an ambigous ending, or a loose end that’s intentionally left open so the reader and follow their own logical conclusion.
However
If you are ever published by forces and wills other than yourself, hell, even if you do self-publish, you will probably not have the opportunity to sit down with every reader and say “Well, in chapter six, she’s supposed to be pondering the meaning of goldfish and how they may have been responsible for her pet bunny’s death. The narrator sees this on her face and decides not to ask her out for brownies after salsa dancing.”
Why do I mention this? I see countless people in critique groups respond to a review with very similar justifications. From where I sit, that makes sense if you’re brainstorming. If your point in defending your intentions is to get help in clarifying them. It makes no sense if you don’t plan on fixing the story.
Don’t get me wrong, there are people who just won’t get it. Don’t make the story stupid for their sake and overly-in-your-face for the rest of us. But if half, or three-quarters, of your advanced readers are saying “I don’t understand why he decided to go to the racetrack instead of asking her out for brownies after salsa dancing”, there may be something that needs clarification.
It’s a hard instinct to overcome, I understand that. Defending ones own art is a deep-seated subconscious reaction. Do you agree? Do you think my stances on this being a rule are maybe too harsh, or not harsh enough?
OHNOES. NOT THE BUNNY!!! *cries*
Um.
I totally agree. *shifty eyes*
Hey – don’t look at me. Blame the goldfish!
We should go for brownies after salsa dancing ^_^
Very true. One thing that people need to learn when taking part in a critique group is not to defend their story. Readers bring their own personal experiences that will be used in their interpretation. Not only will explaining it away not help the story overall, constant arguing with someone doing the reviews makes the group unpleasant. I dealt with that in a critique group and am no longer a part of that group.
I also had a hard time overcoming this aspect and had to make it my goal to not respond to or defend against the critiques. It’s not easy but it is possible to do, and totally is needed.
ah, critiques and beta-readers…
I think that if it’s only one person pointing out a “problem”, it’s personal, but if more than one points to something wrong in a particular scene, it means there is something wrong somewhere. The author has to figure out what – remembering you can’t please everyone. Even best-selling authors have their detractors…
Barb